Tutu, (2018).
Oil on Wood
22 x 18
Gbagyi, (1987).
Mosaic on Panel
20 x 17
Gwari, incorrectly pronounced by European colonials, Hausa Fulani’s and other ethnic groups due to language barriers. Gwari was a failed attempt at pronouncing Gbagyi (North Central Nigeria/ precolonial Nupoid settlers). Gbagyi population is estimated between 8 to 15 million spread across surrounding states. Gbagyi people have done an incredible job of preserving their culture/ancestral practice and outlasted the colonial rule.
Agbagyi practice Islam, Christianity and their ancestral religion Knunu. The people have found a spiritual balance and come to terms with the universe by practicing and preserving their ancestral rights. (Chigudu Tanko Theophilus), (2008:2,)
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We have seen multiple cases of land disputes in the history of human race, from Columbus exploiting the Arawak natives and encroaching on indigenous property, to the First Nation, Metis and Inuit people of Canada being displaced and exploited. Agbagyi also faced a similar predicament in 1976 during the formation of the new FCT, the indigenes were forced to evacuate their ancestral homes, monuments and settlement to accommodate the development of western influenced governance. There was no compensation or resettlement program introduced and until today the land dispute still remains challenged. But they won’t tell you about this. Despite the unjust exploitation and encroachment, the indigenous people were able to make peace with the situation just like the Arawak people who were known to be affectionate and without malice.———————-
Culture was destroyed, our ancestors fought for freedom and some died in silence, but we have more to give than temporary gratitude while we continue to pursue individual success over collective achievement. Lets do our part, stand up for your brethren, uphold our values and preserve our culture.
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Gwari 1987’ was created 30 years ago using materials sourced from the surrounding areas of a Gbagyi village. The collage depicts the architectural structure of Agbagyi homes. Huts were used as silos to store grains, while the natives reside next to the huts.
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Property of Tútú art collection
Blvck Mvn, (2018).
Oil on Canvas
22 x 18
Zobama, (2018).
Mixed media on Canvas
24 x 48
Pan-Africanism I, (2017).
Mixed Media on Canvas
24 x 48
The term Pan African was coined in the 19th century.
For the unification and liberation of African people. - Osagyefo Kwame Nkrumah
Pan-Africanism II, (2018).
Mixed Media on Canvas
27 x 18
The term Pan African was coined in the 19th century.
For the unification and liberation of African people. - Osagyefo Kwame Nkrumah
Nature No.5, (2017).
Oil on Canvas
72 x 48
Gang Shit (2018)
36 x 24
Oil on Canvas
Lagos Island, Nigeria.
The White-clad Eyo masquerade represents the spirit of the ancestors. Eyo tradition dates back to 1854, held to accompany the soul of a dead Lagos King (Oba) or Chief (Otunba) and to pay respects to the ancestors (AsiriMagazine, 2015).
MITHRAS (2018)
Oil on Canvas
30 x 40
A study on the deesis Mosaic of Christ by Sophia Hagia (14th Century).
Incorporating the concept of Pan-Africanism and the portrayal of God as genderless and black. The Pan-African flag holds great meaning; Black represents the black people of Africa. Red represents the blood that unites people of African ancestry. Gold represents wealth of natural resources and minerals that continue to be exploited till this day. And Green depicts fertility of African land.
For the unification and liberation of African people - Osagyefo Kwame Nkrumah
